山水

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新水墨

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人物

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书法

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艺术评论

"两个十年里程,在我眼前,郑炜从一个小少年,忽忽成长为一个青年画家。他的艺术见地、精神追求、才华与创造力,主要靠作品说话。郑炜山水画,时序相推,大体分两类:第一类,开悟于李可染典型图式,隐含对李可染山水成熟风格的研习和探讨。第二类,由师法一家转益多师,拓宽了画路。作品气势宏大,结构奇中见正,渗人象徵、抽象的元素。墨法奇奥,积墨、渍墨浑融,推出山与水、日与月、人与自然交相互映的神秘大气象。"
“郑炜的山水画表现了山川的大气象。大,是中国传统美学的一个重要范畴。李可染就很重视山水画创作大的表现。他教学生山水画“五字诀”,即:气(气韵)、寒(含,含蓄)、 北(笔,笔墨)、风(丰,丰富)、大。他说:  “‘大’指‘大气’,有人画画给人以‘大气’之感,有人画画给人感觉拘谨小气。”
“原来我只知郑炜是李可染先生的外孙,读美兰老师的文章,才知他的父亲又是鼎鼎大名的郑于鹤先生。郑于鹤教授的彩塑有鲜明的民族特色和独到艺术造诣,是我心目中的前辈艺术大家。出生在这样的艺术世家,实在幸运之极。白石老人那一方“大匠之门”的印章是可以借来一用了。“将军魏武之子孙,于今为庶为清门”

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